Indie Horror-thon: Resolution (2012)

Benefiting from its likable main characters and deeply enigmatic antagonist, Resolution is one the least formulaic horror films of the past decade. This genre-meshing gem starts out about a friend’s attempt to help another friend overcome addiction and ends in a panic-inducing horror-thriller as the duo struggles to confront an omnipotent, unseen threat that manipulates reality. 

With an estimated $1 million budget, Resolution had its world premiere at the Tribeca Film Festival April 20, 2012. Tribeca Film gave the film an initial limited theatrical release in 2013. 

At release, Resolution was frequently compared to Joss Whedon’s Cabin in the Woods, which also contains a lot of self-referential elements and takes place in the archetypal cabin in the woods. However, writer-director Justin Benson seems to have focused more on developing atmospheric dread over overt scares.

Resolution is driven by the credible performances by its two charismatic leading men–Peter Cilella and Vinny Curran. Cilella plays Michael, a professional from the city who goes back to his hometown to save his junkie friend Chris, played by Curran. The detox plotline was introduced to give the story more structure so that the story could unfold over seven days. Benson was acquainted with a crack addict and used some of the addict’s ramblings as inspiration for his character’s dialog.

Particularly towards the titular final act, the chemistry between the leads becomes increasingly more engaging. Their conversations (and especially their confrontations) feel authentic, like two friends with a long, intimate history. And each of their roles in deciphering the mysteries of this post-modern horror narrative makes it easy to sympathize with them.  

As the days pass and the forced detox takes effect, the two discover mysterious items like projection slides, photographs, journals, audio files and footage– all meticulously laid out for them to find. They begin suspecting that someone or something is purposely leaving them clues to figure out. Resolution is also unique in that you’ll rarely feel like you know more about what’s going on than the characters. As they’re trying to figure out the story, so are you. And that only adds to the film’s atmospheric sense of urgency. 

There is no shortage of life-threatening oppositions in the film’s 93-minute run time. Opposition come in the form of two druggies who want their money from Chris and a tribal reservation security thug– each competing for the movies prime threat. But the terror of the film derives from a greater, more overwhelming force.

Resolution masterfully plays with its audiences desire to understand the mysterious force that abuses the main characters, and it provides us enough to keep us fully engaged without giving away too much and spoiling the thrill of attempting to piece together the story. 

Resolution is everything that you didn’t know you wanted from a horror film. It is best watched with a group of friends who will be inevitably eager to discuss this film’s open-to-interpretation twists and finale. The ironically-named Resolution excels as a mind-bending classic with one of the most chilling endings to a horror movie, ever. 


Resolution can be purchased cheaply on Amazon right here.

Barry Falls Jr
Barry was the managing editor of his university newspaper before contributing as a freelance content creator for Yahoo News and Esquire. He founded Horror Theory in 2014 to analyze horror films through a sociological lens.

Latest articles

It Follows (2014): Sex, Nostalgia, and The Existential Dread of Emerging Adulthood

Sex and horror have been tethered together in film since the genre's beginnings. Horror cinema remains one of the sharpest means for...

Creep (2014): The Nature of Creepiness, Exploited Loneliness, and Fabricated Victimhood

If ever there were an accolade for the most aptly-title horror film, it should undoubtedly go to 2014's Creep, which embodies its...

Goodnight Mommy (2014): A Tale of Two Brothers— And Their Coping Mechanisms for Bereavement

When Goodnight Mommy finally received a limited theatrical release in September 2015, it had already developed a reputation on the festival circuit...

What We Do in The Shadows (2014): Vampires as a Metaphor for Immigrants and the Culturally Marginalized

Before Taika Waititi was entrusted with refreshing the stale Thor film franchise with Thor: Ragnarok, he was proving himself as the co-writer...

Related articles

Leave a reply

Please enter your comment!
Please enter your name here

This site uses Akismet to reduce spam. Learn how your comment data is processed.